Literary Lives: Mr Hardy and Mrs Henniker – An Enduring Friendship in Letters by Helen Angear — Dorset County Museum

Thomas Hardy LettersCome and join us on Thursday 27 July 2017 at 7.30pm, for an interesting talk by Helen Angear who has been working on the Thomas Hardy Correspondence Archive at Dorset County Museum.

“It occurred to me the other day that this year completes the eighteenth of our friendship. That is rather good as between man and woman, which is usually so brittle” (Aug. 1911). So wrote Hardy to Florence Henniker, an aristocratic lady and fellow writer he met in 1893. Hardy’s comment might make you think of the 1989 film ‘When Harry Met Sally’ and the unresolved question of whether men and women can ever be ‘just friends’.

In fact, Hardy and Henniker’s platonic friendship lasted almost thirty years and both sides of their correspondence exist within the archive to tell the story. Henniker’s gift of an inkstand, sent in the post in 1893, can also be seen in Hardy’s study upstairs in the Museum. This talk examines the important role that letters played in their enduring friendship. I seek to dispel the assumption that this is simply a story of unrequited love and reveal how their dialogue provides an understanding of intimate, but non-marital, social bonds between the sexes at the turn of the century.

A selection of the letters will also be on display.

Helen Angear

Helen Angear

Helen Angear is an AHRC Collaborative Doctoral Award student at the University of Exeter, in collaboration with Dorset County Museum. She is working on the Hardy correspondence archive, and her PhD is called Thomas Hardy’s Correspondents: Proximity and Distance in Postal Communication’. Helen is also an Associate Lecturer at Exeter College.

The forthcoming lecture will take place on Thursday 27 July 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Hardy and the Poetry of Encounter by Phillip Mallett

Philip Mallett - Image- Mark North_DCM © 2017

Philip Mallett

Come and join us for an interesting talk by Phillip Mallett on Thomas Hardy’s poetry from 100 years ago.

In his Notebook, Hardy wrote that ‘Reality is one sure fact, and the mind of the artist another’. Poetry is made out of the encounter between the two. This lecture explores a range of such poetic encounters, from his collection Moments of Vision, published 100 years ago.

Phillip Mallett is Honorary Senior Lecturer in English at the University of St Andrews, and Honorary Researcher at Lancaster University.  He is a Vice-President of both the Hardy Society and the Thomas Hardy Association, and since 2008 editor of the Hardy Society’s journals. In addition to essays on writers from John Donne to Larkin and Heaney, his published work includes a biography of Rudyard Kipling, and editions of The Return of the Native and The Mayor of Casterbridge for Norton, of The Woodlanders for Wordsworth Classics, and of Under the Greenwood Tree for Oxford World’s Classics. He has also edited a number of collections of essays, most recently The Victorian Novel and Masculinity for Palgrave.  He is currently working on new editions of Tess for Norton, and of the Mayor for the forthcoming Cambridge edition of Hardy’s novels and stories.

The forthcoming lecture will take place on Thursday 25 May 2017 in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

 

Thomas Hardy and the Victorian School Mistress by Dr Jonathan Godshaw Memel

Kate Hardy (front left) with other teachers © DCM

Kate Hardy (front left) with other teachers © DCM

‘… she had altogether the air of a woman clipped and pruned by severe discipline, an under-brightness shining through from the depths which that discipline had not yet been able to reach.’

(Thomas Hardy, Jude the Obscure)

This description of Sue Bridehead during her brief time at college suggests the restrictive character of nineteenth-century teacher training. The two-year programme at Salisbury enforced standards of ‘humble femininity’ while preparing women from various social backgrounds for a vocation in the elementary schools.

Hardy’s sisters, Mary and Katharine (generally known as Kate), attended college at Salisbury while his cousin, Tryphena Sparks, trained at Stockwell.  As schoolmistresses their profession enabled greater independence from the pressure to marry, but their personal freedom was severely restricted during the process of qualifying. Trainee teachers were required to carry out extensive chores and study for long hours and their food portions were meagre. They were also subject to continual surveillance, while their choice of dress was restricted.

In this talk Dr Memel will consider representations of the work and training of female teachers in Hardy’s fiction, showing how the experiences of his female relations inspired acts of solidarity and resistance in his writing.

The forthcoming lecture will take place on Thursday 2 March in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Next Literary Lives talks:

  • Thursday 25th May, Hardy and Poetry of Encounter by Philip Mallett
  • Thursday 27th July, Mr Hardy and Mrs Henniker – an Enduring Friendship by Helen Angear
  • Thursday 14th September, The Infants’ Grammar by Dr Alan Chedzoy
  • Thursday 26th October, Hardy and Sex Education by Dr Karin Koeler

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Thomas Hardy and Folk Song by Dr. Peter Robson

Musicians of Mellstock Choir - Hardy Players 1910 DCM © 2015

Musicians of Mellstock Choir – Hardy Players 1910 DCM © 2015

Thomas Hardy refers to more than thirty folk songs in his novels, with many further references in his poetry, short stories, letters etc. 

Some knowledge of the folk songs in Hardy’s writings helps the reader to appreciate how appropriate they are to the author’s plotting, characterisation and settings. The songs can also occasionally throw light on Hardy’s own background.

This exploration of Hardy and Dorset song will begin by looking at the nature of folksong and at the golden age of folksong collecting, with particular reference to the work of the Hammond brothers in Dorset. Dr. Robson will then illustrate the variety of places where references to folksongs may be found in Hardy’s published and unpublished writings.

From this body of material it is then possible to suggest where and how Hardy might have obtained the songs which he knew and to look at some examples of the ways in which he used folk songs in his novels. Finally, the speaker will identify the songs which seem to have been Hardy’s personal favourites, and at a song which was actually collected from him.

Dr. Peter Robson has been researching Dorset folklore and folksong for many years and has written and spoken widely on this subject. Most recently he has become particularly interested in Thomas Hardy’s writings as an almost untapped source for the study of rural folklore.

The lecture will take place on Thursday 30 June in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm for a 7.30pm start.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Thomas Hardy and Education by Dr. Jonathan Godshaw Memel

Thomas Hardy's First School, Lower Bockhampton, Dorset

Thomas Hardy’s First School, Lower Bockhampton, Dorset

In his autobiography, Thomas Hardy remembers himself as an ‘apt pupil who galloped unconcernedly over the ordinary school lessons’ and a ‘born bookworm’ who learnt to read ‘almost before he could walk’. Education provided Hardy with the means to enter a profession and allowed his unmarried sisters, Mary and Kate, to live independent lives as schoolmistresses.

In this talk Dr. Jonathan Godshaw Memel will explore the ways in which Thomas Hardy’s fiction draws on these experiences, examining his treatment of residential training colleges, an ancient university and newly-built elementary schools. Hardy’s criticisms of the Victorian education system are also considered.

This talk is part of a series of four evening lectures organised by the Hardy Country project. A collaboration between the Dorset County Museum, the National Trust, Dorset Area of Outstanding Natural Beauty, the Thomas Hardy Society, Bath Spa University and the University of Exeter, to promote knowledge and understanding of Thomas Hardy and his works.

The forthcoming lecture will take place in the Dorset County Museum’s Victorian Hall and is FREE to the public; however a donation of £3 encouraged to cover costs. Doors open at 7.00pm and talks start at 7.30pm.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

Next talks:

  • Thursday 26th May, Emma Lavinia: The First Mrs Hardy with Helen Gibson and Marilyn Leah.
  • Thursday 30th June, Thomas Hardy and Folksong by Dr. Peter Robson
  • Thursday 3rd November, The influnence of Hardy on the Cornish Poet, Jack Clemo

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Hardy, Wessex and the Poetry of War by Phillip Mallett

Phillip MallettOn Thursday 29th October at the Dorset County Museum Professor Phillip Mallett of St Andrews University is giving a talk entitled ‘Hardy, Wessex and the Poetry of War’. Doors open at 7.00pm for a 7.30pm start.

Boer War‘Few persons are more martial than I,’ wrote Thomas Hardy, ‘or like better to write of war in prose & rhyme.’

The war in South Africa, 1899-1902, divided British opinion more deeply than any previous war had done; it began with defeats, and ended with concentration camps and a scorched earth policy. This talk traces Hardy’s response to the war, to military values, and to the impact of war on enlisted men and civilians.

This FREE talk is open to all. To cover costs, a small donation of £3.00 is encouraged. The talk will take place in the Museum’s Victorian Gallery.

For further information contact the Museum on on 01305 756827 or check the website on www.dorsetcountymuseum.org or follow us on Facebook and Twitter

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Hardy returns home

Far-from-the-Madding-Crowd-filmAt 34 years old, Thomas Hardy had his first literary success with Far from the Madding Crowd, penned in the tiny cob and thatch cottage in deepest Dorset where he was born. Nearly 150 years on, actress Carey Mulligan’s costumes from the new film adaptation of the book are bringing Hardy’s Cottage to life.

With the film on general release in cinemas in the UK and Ireland from 1st May, two of the costumes actress Carey Mulligan wore as Bathsheba Everdene are now on display in this National Trust cottage until 5th July.

Through the spring and summer, both Hardy’s Cottage and nearby Max Gate – where Hardy later lived and died – will be filled with the words and music of true Hardy country. Tim Laycock and the New Hardy Players will celebrate the work of Thomas Hardy, and this year some of the Players’ major claim to fame is as supporting artists in the new Far from the Madding Crowd film.

Howard and Alison Payton of the New Hardy Players now live in Dorset, and have a lifelong passion for Hardy. Howard appears in the new Far from the Madding Crowd as an Everdene farmer, and Alison as a farm worker.

At 15, Howard picked up the Far from the Madding Crowd book at school.

He said: “I was hooked from page one, and somehow Hardy dictated my life. Now 50 years on, I have come full circle. We farmed livestock and trained working collies, and here we are in Hardy Country, performing with the New Hardy Players, and with the added delight of being supporting actors in the Far from the Madding Crowd film.

“Hardy has been a huge influence. Many years ago, I even proposed to Alison with Gabriel Oak’s words to Bathsheba ‘…whenever you look up, there I shall be – and whenever I look up, there will be you.’ ”

Tim Laycock, performer in residence, explores Hardy’s love of poetry and ‘tuneful tunes’, and on 2nd May performs ‘Woodland Words’ with the New Hardy Players – with excerpts from scenes in Far from the Madding Crowd. These are at 1pm and 2.15pm, followed at 3.30pm by a ‘shearing supper’ at a table in front of the cottage.

Martin Stephen, National Trust Visitor Services Manager, said: “Hardy’s Cottage, Max Gate and the surrounding countryside were at the heart of Hardy’s life. As well as standing in the very rooms in the cottage where he grew up and wrote his first great works, you can wander through the rich woods and heathland from which he drew his inspiration.

“With the release of this major new film, we can bring both Hardy’s first and last homes to life with wonderful Wessex words and music, and give people the unique opportunity of seeing Bathsheba’s on-screen dresses for real.”

The Far from the Madding Crowd film tells the story of independent, beautiful and headstrong Bathsheba Everdene (Carey Mulligan), who attracts three very different suitors: Gabriel Oak (Matthias Schoenaerts), a sheep farmer, captivated by her fetching wilfulness; Frank Troy (Tom Sturridge), a handsome and reckless sergeant; and William Boldwood (Michael Sheen), a prosperous and mature bachelor.

Hardy was hugely influenced by what he called his Wessex – ‘partly real, partly dream-county’. From the new Hardy’s Birthplace Visitor Centre, a joint project between the National Trust and Dorset County Council, walk in Hardy’s footsteps through Thorncombe Wood to the cottage, and out on to heathland.

These special places were engrained in the young Thomas Hardy’s mind and translated into his writing – including memories of walking the Roman road with his mother to Puddletown, which became Weatherby in Far from the Madding Crowd.

Sir Andrew Motion has always been hugely influenced by Hardy’s poems, and on Hardy’s birthday on 2nd June he’ll open a new ‘Writing Places’ season with a Hardy poetry reading and talk at Max Gate www.nationaltrust.org.uk/writingplaces

On the evenings of 9th and 10th July, the New Hardy Players will perform Hardy’s The Return of the Native in the garden of Max Gate. Booking recommended on 01305 266079.

For further details on Hardy’s Cottage and Max Gate and all the events visit